• HOME
  • WHO WE ARE
  • JOIN US
  • POLITICS
  • CULTURE
  • RELIGION
  • WORLD ISSUES
  • THE ARTS
    • POETRY & PROSE
    • LITERATURE
    • ENTERTAINMENT
  • FEMINISM
  • HEALTH & WELLNESS
    • MENTAL HEALTH
    • WOMEN’S HEALTH
    • FOOD & NUTRITION
  • LIFE
  • EMPOWERMENT
  • OPINION
  • LGBTQ+
  • CONTACT US
Start typing and press
Enter to search
  • instagram
  • twitter
  • facebook
  • linkedin
Follow
Skip to content

reclamation magazine

reclaim your voice.

open search form close search form
  • HOME
  • WHO WE ARE
  • JOIN US
  • POLITICS
  • CULTURE
  • RELIGION
  • WORLD ISSUES
  • THE ARTS
    • POETRY & PROSE
    • LITERATURE
    • ENTERTAINMENT
  • FEMINISM
  • HEALTH & WELLNESS
    • MENTAL HEALTH
    • WOMEN’S HEALTH
    • FOOD & NUTRITION
  • LIFE
  • EMPOWERMENT
  • OPINION
  • LGBTQ+
  • CONTACT US
By: Chi Ilochi February 11, 2019February 11, 2019

agriculture basket beets bokeh

Posted by:Chi Ilochi

Post navigation

agriculture basket beets bokeh

Leave a Reply Cancel reply

subscribe for doses of creativity, delivered straight to your inbox

  • Instagram
  • Twitter
  • Facebook
  • LinkedIn

connecting our global community, one post at a time

“The fashion industry was built on secrecy and elitism; it was opaque. Transparency is disruptive — in that sense, it’s a breath of fresh air and a useful weapon of change.
The intersection between fashion and social justice can be incredibly empowering, and Chinese-Swedish designer Louise Xin (@louisexincouture) is on a journey to spark conversations and spread awareness, one dress at a time.
“Fashion became a vehicle for me to understand larger systems of oppression and histories of colonization, and how those legacies tie into our unsustainable systems today.
As the Taliban take over Afghanistan — a result of years of American, British, and European imperialism — these words by Mourid Barghouti leave a haunting impression.
“I’ve been thinking a lot about Sharbat Gula lately. Better known simply as ‘The Afghan Girl’, her piercing green eyes are the ones we saw on the now-iconic 1985 cover of National Geographic. The portrait was taken by Steve McCurry (@stevemccurryofficial), and it catapulted his career. He has sold its prints for thousands of dollars, and is lauded as one of the greatest photographers working today. The image has smugly been called ‘the First World’s Third World Mona Lisa’.
Calling all readers: looking for new titles to add to your shelf this #SouthAsianHeritageMonth?
“This photoshoot is dedicated to all the South Asian women out there who are often underrepresented in media simply because the color of their skin doesn’t fit South Asia’s unreasonable, fair and lovely, Eurocentric beauty standards. As we all know, colorism is a huge problem in India and Pakistan.
“these are my people & I find
Powered by @inclusionists new study on Muslim representation, @pillarsfund is launching a Blueprint for Muslim Inclusion and a $25K fellowship grant with @rizahmed and @fordfoundation 🎥

keep up to date with our content

My Tweets